About the author

Gilles Deleuze (; French: [ʒil dəløz]; 18 January 1925 – 4 November 1995) was a French philosopher who, from the early 1950s until his death in 1995, wrote on philosophy, literature, film, and fine art. His most popular works were the two volumes of Capitalism and Schizophrenia: Anti-Oedipus (1972) and A Thousand Plateaus (1980), both co-written with psychoanalyst Félix Guattari. His metaphysical treatise Difference and Repetition (1968) is considered by many scholars to be his magnum opus. A. W. Moore, citing Bernard Williams's criteria for a great thinker, ranks Deleuze among the "greatest philosophers". Although he once characterized himself as a "pure metaphysician", his work has influenced a variety of disciplines across philosophy and art, including literary theory, post-structuralism and postmodernism.

Along with several French and Italian Marxist-inspired neo-Spinozists like Louis Althusser, Étienne Balibar, and Antonio Negri, he was one of the central figures in a great flowering of Spinoza studies in the late 20th and early 21st centuries continental philosophy (or the rise of French-inspired post-structuralist Neo-Spinozism) that was the second remarkable Spinoza revival in history, after highly significant Neo-Spinozism in German philosophy and literature of approximately the late 18th and early 19th centuries. A fervent Spinozist in many respects, Deleuze's preoccupation with and reverence for Spinoza are well known in contemporary philosophy. As Pierre Macherey noted, "An important part of Deleuze's oeuvre is devoted to the reading of philosophers: the Stoics, Leibniz, Hume, Kant, Nietzsche, Bergson, etc. But a rather singular position in this list would be assigned to Spinoza, owing to the philosophical interest that corresponds to him."

Proust og tegnene

Den franske filosof Gilles Deleuze (1925-95) havde blik for mere end sin egen tænkning, det være sig Spinoza, Nietzsche, Bergson, Kafka, Foucault eller som her Proust og hans store værk På sporet af den tabte tid. Det er nemlig ikke blot litteratur af format, men et univers af tilstande og betydninger, der som en maskine skaber tegn, som læseren må tage til sig og sætte i sammenhæng for nærmere at komme ind på livet af – ja, livets mening. Den filosofi eller tilværelsestolkning, som Marcel Proust benyttede sig af og måske først rigtig fik hold på gennem sit romanværk, kommer i Proust og tegnene (1964) i spil med Gilles Deleuzes egen tænkning, ikke mindst hans sans for at generere begreber og betydninger langs såkaldte flugtlinjer, ruter i tid, sind og fortolkning. Og som sådan bliver Proust og tegnene, der står centralt i den nyere Proust-forskning, også en indføring i den deleuzianske filosofi, som nu melder sig med fornyet kraft. Her oversat og introduceret af mag.art. Søren Frank. Bogen udkom første gang på dansk i 2003 og genudgives nu i Hans Reitzels Forlags serie Klassikere.
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Edition1
Printed pages208
Publish date25 Nov 2019
Published byGyldendal
Languagedan
ISBN print9788741276052
ISBN epub9788741276069